The Caxtons: A Family Picture — Volume 03 — Edition Insights
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It was a beautiful summer afternoon when the coach set me down at my father's gate. Mrs. Primmins herself ran out to welcome me; and I had scarcely escaped from the warm clasp of her friendly hand before I was in the arms of my mother.
As soon as that tenderest of parents was convinced that I was not famished, seeing that I had dined two hours ago at Dr. Herman's, she led me gently across the garden towards the arbor. "You will find your father so cheerful," said she, wiping away a tear. "His brother is with him."
I stopped. His brother! Will the reader believe it? I had never heard that he had a brother, so little were family affairs ever discussed in my hearing.
"His brother!" said I. "Have I then an Uncle Caxton as well as an Uncle Jack?"
"Yes, my love," said my mother. And then she added, "Your father and he were not such good friends as they ought to have been, and the Captain has been abroad. However, thank Heaven! they are now quite reconciled."
We had time for no more,--we were in the arbor. There, a table was spread with wine and fruit,--the gentlemen were at their dessert; and those gentlemen were my father, Uncle Jack, Mr. Squills, and--tall, lean, buttoned-to-the-chin--an erect, martial, majestic, and imposing personage, who seemed worthy of a place in my great ancestor's "Boke of Chivalrie."
All rose as I entered; but my poor father, who was always slow in his movements, had the last of me. Uncle Jack had left the very powerful impression of his great seal-ring on my fingers; Mr. Squills had patted me on the shoulder and pronounced me "wonderfully grown;" my new-found relative had with great dignity said, "Nephew, your hand, sir,--I am Captain de Caxton;" and even the tame duck had taken her beak from her wing and rubbed it gently between my legs, which was her usual mode of salutation, before my father placed his pale hand on my forehead, and looking at me for a moment with unutterable sweetness, said, "More and more like your mother,--God bless you!"
A chair had been kept vacant for me between my father and his brother. I sat down in haste, and with a tingling color on my cheeks and a rising at my throat, so much had the unusual kindness of my father's greeting affected me; and then there came over me a sense of my new position. I was no longer a schoolboy at home for his brief holiday: I had returned to the shelter of the roof-tree to become myself one of its supports. I was at last a man, privileged to aid or solace those dear ones who had ministered, as yet without return, to me. That is a very strange crisis in our life when we come home for good. Home seems a different thing; before, one has been but a sort of guest after all, only welcomed and indulged, and little festivities held in honor of the released and happy child. But to come home for good,--to have done with school and boyhood,--is to be a guest, a child no more. It is to share the everyday life of cares and duties; it is to enter into the confidences of home. Is it not so? I could have buried my face in my hands and wept!
My father, with all his abstraction and all his simplicity, had a knack now and then of penetrating at once to the heart. I verily believe he read all that was passing in mine as easily as if it had been Greek. He stole his arm gently round my waist and whispered, "Hush!" Then, lifting his voice, he cried aloud, "Brother Roland, you must not let Jack have the best of the argument."
"Brother Austin," replied the Captain, very formally, "Mr. Jack, if I may take the liberty so to call him--"
"You may indeed," cried Uncle Jack.
"Sir," said the Captain, bowing, "it is a familiarity that does me honor. I was about to say that Mr. Jack has retired from the field."
"Far from it," said Squills, dropping an effervescing powder into a chemical mixture which he had been preparing with great attention, composed of sherry and lemon-juice--"far from it. Mr. Tibbets--whose organ of combativeness is finely developed, by the by--was saying--"
"That it is a rank sin and shame in the nineteenth century," quoth Uncle Jack, "that a man like my friend Captain Caxton--"
"De Caxton, sir--Mr. Jack."
The narrator's homecoming in this volume is marked by the sudden appearance of a previously unmentioned uncle, Captain de Caxton, whose formal greeting—"Nephew, your hand, sir,—I am Captain de Caxton"—immediately establishes a tone of military stiffness. The scene in the arbor, with the family gathered at dessert, introduces a reunion that the narrator's mother describes as a reconciliation after estrangement. The catalog subjects of "Families — Fiction" and "English fiction — 19th century" are borne out here, but the excerpt focuses less on family events than on the narrator's internal shift: "I was no longer a schoolboy at home for his brief holiday: I had returned to the shelter of the roof-tree to become myself one of its supports."
Character Contrasts in the Walk
The extended walk taken by the brothers—Augustine Caxton and Captain Roland—becomes a vehicle for extended character description. The narrator notes that his father "was not a quick or minute observer of rural beauties" and "could have lost his way in his own garden," while the Captain "was exquisitely alive to external impressions." The contrast extends to their speech: Augustine is "very rarely eloquent," whereas Roland speaks with "a glow and a passion." The narrator explicitly compares their minds: "my father reasoned, my uncle imagined; my father was very seldom wrong, my uncle never quite in the right." This passage, which occupies a substantial portion of the excerpt, suggests that the author is more interested in delineating character through opposition than in advancing a plot.
Physical and Temperamental Parallels
The narrator draws a detailed physical comparison between the two brothers. Roland is described as having "high, aquiline features, bronzed hue, rapid fire of eye," while Augustine possesses a "delicate profile, quiet, abstracted gaze." Their foreheads differ: Roland's is "singularly high, and rose to a peak" but narrow and furrowed; Augustine's is broad and unwrinkled, partly hidden by "soft, silky hair." Yet the narrator insists on a "great family likeness" that emerges when Roland is softened by sentiment or Augustine animated by emotion. This attention to physiognomy and its relation to character reflects a Victorian interest in reading personality from appearance, a device used here to deepen the portrait of the Caxton family without relying on action.
The Narrator's New Position
The narrator's return is framed as a transition from boyhood to adult responsibility. He reflects that "to come home for good,—to have done with school and boyhood,—is to" (the sentence is cut off in the excerpt, but the preceding lines make the meaning clear). His mother's remark that his father is "so cheerful" because "his brother is with him" hints at a past rift now healed, but the excerpt provides no details of the estrangement. The narrator himself is largely an observer in these scenes, receiving greetings from Uncle Jack, Mr. Squills, and the Captain, but not yet participating in the family's affairs. This positioning suggests that Volume 03 may continue to develop the narrator's role as a witness to family dynamics rather than an active agent.
Readers approaching this volume should expect a character-driven interlude that prioritizes description over incident. The extended comparison of the two brothers—their habits, speech, appearance, and temperaments—occupies the bulk of the excerpt, while the narrator's own story remains in the background. Those interested in Victorian family portraits and the psychological observation of contrasting personalities will find this volume rewarding, but those seeking rapid plot development may need to adjust expectations.
Reading about Captain de Caxton’s quiet estrangement reminded me of my own uncle’s silence at Christmas dinners. There’s a weight in unspoken family history. The Rise of Iskander — Themes and Context stirred that same ache—how a man’s inner world becomes his homeland when the outer one shifts. Both books feel like finding an old photograph in a coat pocket.
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