Mary Anerley: A Yorkshire Tale — A Closer Reading

(0 User reviews)   547
Blackmore, R. D. (Richard Doddridge), 1825-1900 Project Gutenberg 2006 Not confirmed
Yorkshire (England) -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 204,817
Reading time 891 min
Text sections 21

The catalog record for Mary Anerley: A Yorkshire Tale — A Closer Reading provides practical reading context through 204,817 words, 14 hr 51 min estimated reading time, and 21 detected text sections.

The text analysis averages about 21.1 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Yorkshire (England) -- Fiction,” connecting these edition facts with the source record’s subject description.

Blackmore's Yorkshire novel uses a dense, ironic narrator and precise dialect to depict coastal smuggling, legal disputes, and romantic entanglements. The opening's 'Seven Corpse Ford' establishes a landscape where violence and humor coexist, while nautical jargon and legal language reveal character through diction.
Share
Editorial Edition Score 4.9/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

trictly obeyed the injunction. But Eliza, being of a softer kind, and herself then in love with Captain Carnaby, would gladly have aided her only brother, but for his stern refusal. In such a case, a more gentle nature than ever endowed a Yordas might have grown hardened and bitter; and Duncan, being of true Yordas fibre (thickened and toughened with slower Scotch sap), was not of the sort to be ousted lightly and grow at the feet of his supplanters.

Therefore he cast himself on the winds, in search of fairer soil, and was not heard of in his native land; and Scargate Hall and estates were held by the sisters in joint tenancy, with remainder to the first son born of whichever it might be of them. And this was so worded through the hurry of their father to get some one established in the place of his own son.

But from paltry passions, turn away a little while to the things which excite, but are not excited by them.

Scargate Hall stands, high and old, in the wildest and most rugged part of the wild and rough North Riding. Many are the tales about it, in the few and humble cots, scattered in the modest distance, mainly to look up at it. In spring and summer, of the years that have any, the height and the air are not only fine, but even fair and pleasant. So do the shadows and the sunshine wander, elbowing into one another on the moor, and so does the glance of smiling foliage soothe the austerity of crag and scaur. At such time, also, the restless torrent (whose fury has driven content away through many a short day and long night) is not in such desperate hurry to bury its troubles in the breast of Tees, but spreads them in language that sparkles to the sun, or even makes leisure to turn into corners of deep brown study about the people on its banks--especially, perhaps, the miller.

But never had this impetuous water more reason to stop and reflect upon people of greater importance, who called it their own, than now when it was at the lowest of itself, in August of the year 1801.

From time beyond date the race of Yordas had owned and inhabited this old place. From them the river, and the river's valley, and the mountain of its birth, took name, or else, perhaps, gave name to them; for the history of the giant Yordas still remains to be written, and the materials are scanty. His present descendants did not care an old song for his memory, even if he ever had existence to produce it. Piety (whether in the Latin sense or English) never had marked them for her own; their days were long in the land, through a long inactivity of the Decalogue.

And yet in some manner this lawless race had been as a law to itself throughout. From age to age came certain gifts and certain ways of management, which saved the family life from falling out of rank and land and lot. From deadly feuds, exhausting suits, and ruinous profusion, when all appeared lost, there had always arisen a man of direct lineal stock to retrieve the estates and reprieve the name. And what is still more conducive to the longevity of families, no member had appeared as yet of a power too large and an aim too lofty, whose eminence must be cut short with axe, outlawry, and attainder. Therefore there ever had been a Yordas, good or bad (and by his own showing more often of the latter kind), to stand before heaven, and hold the land, and harass them that dwelt thereon. But now at last the world seemed to be threatened with the extinction of a fine old name.

When Squire Philip died in the river, as above recorded, his death, from one point of view, was dry, since nobody shed a tear for him, unless it was his child Eliza. Still, he was missed and lamented in speech, and even in eloquent speeches, having been a very strong Justice of the Peace, as well as the foremost of riotous gentlemen keeping the order of the county. He stood above them in his firm resolve to have his own way always, and his way was so crooked that the difficulty was to get out of it and let him have it. And when he was dead, it was either too good or too bad to believe in; and even after he was buried it was held that this might be only another of his tricks.

The novel opens with a road that 'descends to a rapid river' at a ford named 'Seven Corpse Ford,' where seven farmers drowned after a foggy crossing. Blackmore's narrator immediately establishes a tone of wry detachment: 'the country is not chary of its living, though apt to be scared of its dead.' This blend of grim history and understated humor pervades the prose. The landscape is not merely backdrop but an active force, shaping the actions and speech of characters who are defined as much by their vocabulary—nautical terms, legal jargon, Yorkshire dialect—as by their deeds.

A Narrator Who Intervenes

Blackmore's narrator frequently steps forward to comment on events, often with a dry, knowing irony. In the opening, after describing the fatal ford, he adds: 'worse things than this had happened.' Later, when Commander Nettlebones fumes over a delay, the narrator explains that 'free trade was at the bottom of it'—a euphemism for smuggling. The narrator does not simply report; he judges, interprets, and occasionally withholds. He tells us that Nettlebones 'deserved to have his best plans floored' for his suspicions, but also notes that Carroway's actions were 'loyal, faithful, and well above-board.' This moral commentary is woven into the fabric of the prose, making the narrator a character in his own right.

Dialect and Diction as Character Markers

Characters are distinguished by their speech patterns. The sailor Tomkins uses colloquial naval idiom: 'She've had a witch on board of her, that's where it is.' Nettlebones, by contrast, speaks in clipped, authoritative commands: 'Stow that, Tomkins. No time now.' The Flamborough seaman's sabotage is described in technical detail—'a plug-hole,' 'a stout new rope,' 'a long grappling-iron'—revealing a practical, cunning mind. Blackmore does not merely label characters as 'smuggler' or 'officer'; he lets their vocabulary and syntax do the work. The result is a world where a man's trade is written in his tongue.

The Physical World as Obstacle and Accomplice

Setting in Mary Anerley is never passive. The moorland road, the ford, the 'under-tow' that hampers the cutter—all are active participants. The Flamborough sailor exploits a 'plug-hole' below the waterline to drag a grappling-iron along the seabed, slowing the vessel. The narrator describes this with the precision of a manual: 'it dragged along the bottom like a trawl, and by its weight, and a hitch every now and then in some hole, it hampered quite sufficiently the objectionable voyage.' The landscape and seascape are not just backdrops but tools and traps, used by characters who understand their properties intimately.

Legal and Nautical Language as Plot Engine

Blackmore peppers the narrative with legal and nautical terminology that does more than add color. Words like 'assumpsit,' 'battery,' and 'factor' appear in chapter titles, signaling that disputes over property and contract drive the plot. On the water, the cutter's sluggishness is blamed on 'currents and mysterious under-tow,' but the real cause is a deliberate act of sabotage described in terms of 'leverage' and 'clew.' The precision of this language—'a belaying-pin,' 'a clew of buttons'—grounds the story in tangible, technical reality. Even the chapter headings ('Battery and Assumpsit,' 'A Tangle of Veins') suggest that the novel's conflicts are as much about words and laws as about actions.

Readers attuned to Blackmore's verbal texture will find a novel that rewards attention to how things are said. The narrator's asides, the characters' idiolects, and the precise naming of objects and procedures all contribute to a world where language is as treacherous and revealing as the moorland paths. Approach the text with an ear for irony and an eye for technical detail; the story emerges not just from plot but from the grain of the prose.

The rain drummed on the windows while I read through Blackmore's Yorkshire smugglers, their harsh dialect clinging to me like the damp itself. I kept noticing how the narrator's tone shifted with each character's speech. That oddly ironic distance stayed with me, lingering into the evening. I found myself browsing old shelves, idly picking up The Rise of Iskander — Themes and Context instead, almost by accident.

There are no reviews for this eBook.

0
0 out of 5 (0 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.

Reader reflection

What did you think of this book?

Answer a few questions and save a private reflection on this device.

Your progress 0 / 10
1

How far have you progressed with this book?

2

Did this book hold your interest?

3

How likely are you to recommend this book?

4

How easy was the book to follow?

Related eBooks