All-Wool Morrison Time -- Today, Place -- the United States, Period of Action -- Twenty-four Hours — A Reader’s Guide
Edition facts
This digital edition of All-Wool Morrison Time -- Today, Place -- the United States, Period of Action -- Twenty-four Hours — A Reader’s Guide is described by source-level measurements including 77,623 words, 5 hr 38 min estimated reading time, and 8 detected text sections.
The text analysis averages about 13.4 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Politicians -- Fiction,” connecting these edition facts with the source record’s subject description.
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Stewart had appeared so abruptly, he towered so dominantly, that a stranger would have expected a general precipitateness of personality and speech to go with his looks.
But after he had closed the door he stood and stroked his palm slowly over his temple, smoothing down his fair hair--a gesture that was a part of his individuality; and his smile, while it was not at all diffident, was deprecatory. He began to roll down the sleeves of his shirt.
There was the repressed humor of his race in the glint in his eyes; he drawled a bit when he spoke, covering thus the Scotch hitch-and-go-on in the natural accent that had come down to him from his ancestors.
"I saw your car arrive, Senator Corson, and I broke the sprinting record."
"And the mill rule!" muttered Mac Tavish.
"It's only an informal call, Stewart," explained the Senator, amiably, walking toward the rail.
"And you have caught me in informal rig, sir!" He pulled his coat and waistcoat from the hooks and added, while he tugged the garments on, "So I'll say, informally, I'm precious glad to see old neighbors home again and to know the Corson mansion is opened, if only for a little while."
"Lana came down with the servants a few days ago. I couldn't get here till last evening. I have some friends with me, Stewart, who have come along in the car to join me in paying our respects to the mayor of Marion."
Morrison threw up the bar of the rail and stepped through. He clutched the hand of the Senator in his big, cordial grip. "And now, being out in the mayor's office, I'll extend formal welcome in the name of the city, sir."
He looked past the father toward the daughter.
"But I must interrupt formality long enough to present my most respectful compliments to Miss Corson, even walking right past you, Governor North, to do so!" explained Stewart, marching toward Lana, smiling down on her.
Their brief exchange of social commonplaces was perfunctory enough, their manner suggested nothing to a casual observer; but Miss Bunker was not a casual observer. "She's ashamed," was her mental conviction. "Her eyes give her away. She don't look up at him like a girl can look at any man when there's nothing on her conscience. Whatever it was that happened, she's the one who's to blame--but if she can't be sorry it doesn't excuse her because she's ashamed."
Possibly Miss Corson was covering embarrassment with the jaunty grandiloquence that she displayed.
"I have dared to intrude among the mighty of the state and city, Mister Mayor, in order to impress upon you by word of mouth that your invitation to the reception at our home this evening isn't merely an invitation extended to the chief executive of the city. It's for Stewart Morrison himself," ran her little speech.
"I hoped so. This word from you certifies it. And Stewart Morrison will strive to behave just as politely as he used to behave at other parties of Lana Corson's when he steeled his heart against a second helping of cake and cream."
She forestalled her father. "Allow me to make you acquainted with Coventry Daunt, Stewart."
Morrison surveyed the young stranger with frank and appraising interest. Then the big hand went out with no hint of any reservation in cordiality.
"I'm sure you two are going to be excellent friends!" prophesied Lana. "You're so much alike."
The florid giant and the dapper, dark young man swapped apologies in a faint flicker of a mutual grin.
"I mean in your tastes! Mr. Daunt is tremendously interested in water-power," Miss Corson hastened to say. "But father is waiting for you, Stewart."
So, however, was the sniveling old woman waiting!
She had not presumed to break in on a conference with another of her sex--but when the mayor turned from the lady and started to be concerned with mere men, the old woman asserted her prerogative. "Out of me way. Con Rellihan, ye omadhaun, that I have chased manny the time out o' me patch! I'm a lady and I have me rights first!" She struggled and squalled when the officer set his palms against her to push her away.
Morrison dropped the Governor's hand, broke off his "duty speech," and with rueful smile pleaded for tolerance from the Corson party.
"Hush, Mother Slattery!" he remonstrated.
"Ah, that's orders from him as has the grand right to give 'em! Niver a wor-rd from me mouth, Your 'Anner, till I may say me say at your call!"
A prolonged, still more deprecatory smile was bestowed by the mayor on the élite among his guests!
The novel's subtitle—Time: Today, Place: The United States, Period of Action: Twenty-four Hours—announces a compressed, almost theatrical structure. The curtain rises at 9:30 a.m. in January, during the opening of a legislative session. The first chapter introduces Stewart Morrison not through politics but through a family mill rule: no one may call him from the factory floor before ten o'clock. This rule, enforced by the elderly paymaster Andrew Mac Tavish, is illustrated by an anecdote about an elephant that once ran into the office and was turned away because it was not yet ten. The detail establishes Morrison as a man of routine and stubbornness, qualities that will shape the crisis to come.
The Mill as a Moral Anchor
The catalog subjects list Politicians -- Fiction and Political corruption -- Fiction, but the excerpts devote considerable space to the Morrison family's woolen mill. The opening chapter traces the mill's lineage from old Angus through David to Stewart, emphasizing an unbroken rule that the owner works in the mill until ten o'clock. This rule is treated with near-religious seriousness: even a panicked elephant cannot break it. The mill is presented as a source of discipline and authenticity, contrasting with the political machinations that dominate the rest of the plot. The title itself—All-Wool Morrison—suggests that the protagonist's character is woven from the same sturdy, unadulterated material as the mill's product. Readers should note how often the narrative returns to the mill as a touchstone for Morrison's identity, even when the action moves to the capitol and the governor's mansion.
The Threat of Mob Violence
Political corruption in this novel is not merely backroom dealing; it is linked to the threat of mob violence. Senator Corson, a key antagonist, accuses Morrison of stirring up “the mob spirit” in Marion. The excerpts show Corson receiving reports that Morrison has been “up to that mischief,” and the governor is “very emphatic” about the danger. Another character warns that men like Morrison, when they talk about people's rights, “go up in the air and jump all the way over into Bolshevism.” This language reflects early-1920s anxieties about labor unrest and radicalism. The novel's structure—a single day culminating in a night of potential riot—suggests that the real test of Morrison's leadership will be whether he can control the forces he has helped unleash. The excerpts do not reveal the outcome, but the tension between popular agitation and elite control is a central thread.
Love and Political Calculation
The excerpts include a romantic subplot involving Morrison and Lana Corson, the senator's daughter. In one scene, Lana confesses that she became “a bit hysterical” while advising Morrison, and she reflects on the limits of friendship: “it makes a friend so provoked to have one listen and then go ahead and do just as one likes.” Morrison, for his part, admits he was “taken up considerably with other matters” and did not fully attend to her words. The relationship is entangled with political maneuvering: Senator Corson uses his daughter as a social asset, and Coventry Daunt, a rival suitor, searches for Lana during a ball. The excerpts do not resolve the romance, but they position Lana as a character who both supports and challenges Morrison. Her presence complicates the political narrative, suggesting that personal loyalties and public duties are not easily separated.
Readers approaching All-Wool Morrison should pay attention to how the novel balances its multiple genres: political thriller, romance, and labor drama. The 24-hour timeframe creates urgency, but the narrative also pauses for character reflection and historical anecdote. The catalog subjects accurately point to political corruption, but the excerpts reveal a richer interest in the psychology of a man caught between his mill's traditions and the demands of a volatile public. The ending is not provided here, but the title's promise of “all-wool” integrity suggests that Morrison's character will be tested to its core.
There’s something touching about how quickly a single day can unravel a man’s certainties, as in All-Wool Morrison. It reminded me of the quieter wanderings in The Happy Adventurers — Edition Insights, where the journey matters more than the arrival. I keep thinking about that difference — crisis versus curiosity — and how both leave their marks.
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